We have reached the 27th chapter of the Gylfaginning, located right in the heart of the battlefield. We will delve into essential themes… Here we are, facing the core of the dilemma. The number marking this chapter, 27, being the product of three times nine, represents Yggdrasil in its entirety, the entirety of possible dimensions, the entirety of possible spheres. It symbolizes the three planes of existence: spiritual, intellectual, and physical, corresponding respectively to the white, red, and black realms. This comprehensiveness is hardly surprising, as this is the chapter dedicated to Heimdall.

Heimdall and the White People

We are now going to delve into a subject of paramount importance, the very heart of our discussion: Heimdall, and by extension, the emergence of the white people. What is the essence of the white race? This chapter is of unparalleled significance as it introduces us to our father Heimdall, revealing our origins and our ultimate reference point. It details the course of events, the current era, as well as everything we have endured, created, and experienced as a people and as individuals. It offers us the key to our individual presence on Earth, as well as the collective purpose of our existence. In summary, humanity is divided into whites and non-whites.

The rest is a matter of courtesy.
There are the whites and the skraeling, that’s all.

The number 27, representing three times nine, symbolizes the entirety of Yggdrasil’s spheres, in other words, Yggdrasil itself, across its three planes. At this point, we reach the Gordian knots, the very heart of the matter, illustrated by the Valknut. It is in the interweaving of these three dimensions that Snorri intended to guide us in writing the Gylfaginning. For these opening sentences of the chapter we are about to examine, Snorri sacrificed his life. There is no other explanation for his assassination. We must fully grasp the importance and the criticality, in the purest sense of the term, of what we are now about to address.

The Mystery of the Number 27 and the « 27 Club »

The number 27 holds a special place, especially when considering its predecessor, the 26, which symbolizes perfect balance: the four elements, directions, seasons, and life stages converge. Moving from 26 to 27 symbolizes crossing a threshold. The 27, on the other hand, embodies the individual at the center, at the crossroads, faced with crucial decisions. This number lies at the heart of our personal quest, illustrating the crucial position of the individual in the universe. Regarding the « 27 Club » in the world of pop music, many wonder about the recurrence of this number, why so many celebrities pass away at the age of 27. Renowned artists have met tragic fates at this symbolic age. It was noted that the initiator of this infamous « 27 Club, » considered the architect of this phenomenon, was a Skreal, a blues musician. The victims of the « 27 Club » all succumb either to poisoning circumstances due to overdoses, medication errors, or fatal combinations with alcohol, or to murders. A notable aspect, as observed recently, concerns the most famous piece of this pioneer of the 27 Club, titled « Crossroads Blues. »

Standing at the crossroads.

What concerns us more is the significance behind the age at which these deaths occur. This questioning brings us back to the Havamal and the words of our master Wotan, who highlighted the importance of the end, of stopping. The end means that everyone is going to die, he explains very well, that everyone is going to die, that you too will die, he urges us not to cling, not to be lulled by illusions. Everything is impermanent, everything is destined to die, and this should not be a source of torment.

According to him, what really matters is not wealth, social relationships, or accumulated goods, but the final moment, the seal that will be placed on our fate, the precise moment of our demise. At the moment of our death, in the heights of Asgard, forces are at work to assess our existence, to stamp our fate according to our actions and behavior. The definitive seal of our life, the ultimate indicator of our journey, is the age at which we leave this world.

The study of this number, the occult and kabbalistic analysis of the age at which a person dies, reveals the ultimate accomplishment of their existence. The number holds an undeniable, absolute, non-relative truth—the pure truth. We will explore this notion of immutable truth, where 2+2 equals 4, the absolute truth.

In the Middle of the Day, in the Middle of the Fine Days

The essence of numbers lies in their immutability. You recognize this as a table, but only because your father taught you so. Imagine that for the rest of the world, it is perceived as an elephant, called an elephant, and everyone around you conspires with your father to convince you it’s called a table. The only claim you can then make rests on a famous saying, fully integrated into our creed: « It is true because my father told me so. » Yet, here’s what the Edda represents: « It is true because my grandmother told me so. » And what truth do you find on TV? Is it that of the news anchor or someone else’s? No, the Edda offers us this truth. You may choose to believe the news anchor, while I rely on the Edda. You trust what the television proclaims, but I place my faith in the Edda, believed, studied, and transmitted by my ancestors for millennia. I prefer to rely on something substantial, in reality. As for numbers, such a relativistic perspective cannot be applied to them. Since 2+2=4, there exists an occult understanding of the meaning and power inherent in numbers. Pythagoras taught that he who masters the secret of numbers holds the power. In the use of magic squares, the power of numbers is systematically exploited, producing extraordinary effects both operationally and in practical magic. However, it is essential to understand their meaning. Each rune is also associated with a number, and every phenomenon can be seen as a rune. Thus, the number 27 marks those under its influence. On the wheel of life, the age of 22 coincides with Beltaine, while 33 corresponds to Litha. Between 22 and 33 years, we experience what is called the bright days, akin to those we know in the annual cycle. This age range, symbolically linked to the period of Baldr, represents a radiant phase of our existence, marking the brightest days of the year. I am aware that in recent years, the weather has not been ideal, but the period from Beltaine to Litha, from May 1st to the summer solstice, represents the most pleasant days of the year. It is the time of light and the gentleness of existence. At the age of 27, one is precisely in the middle of this phase, exactly at the center. It could be said that someone found death at the peak of happiness. This may seem strange, especially in the case of a rock star who dies choked by vomit after a barbiturate overdose. Yet, it is a reality. Their journey was marked by a typically Balderian achievement. In terms of daytime, this corresponds to the period from approximately 10:00 am to Halfardag, the best time for studies, when light abounds and one is still alert before fatigue sets in. At Halfardag, at 33 years in life, or at Litha during the year, one begins to feel the weight of the material world. The sun begins its descent, marking the entry into the sign of Cancer. It is precisely at this moment that Baldr was killed. Hodr, inherently dark, is blind—Gods forbid—and murdered Baldr exactly at Halfardag, as our sages report. This teaches us that at this stage of the day, darkness seeks to eclipse everything that is bright, joyful, innocent, and pure.

Members of the « 27 Club » meet their end in the full bloom of this auspicious period. This prompts a profound reevaluation of their fate. While their demise is often viewed as a tragedy, it is not really so. Dying at 27 proves to be the most opportune moment. Their existence, far from being a tragedy, was marked by deeply Balderian aspects; they extinguish at the zenith of light and happiness, not in a tragic and self-destructive perspective, often associated with the punk attitude. Leaving at 27 is actually a blessing. At that age, one has only experienced the best moments, or « the white bread, » to use a common expression. By addressing the notion of purity, we prepare to explore the chapter on Heimdall.

Heimdall, the White Ase

We are focusing on the first three sentences of this chapter, discussed for millennia: « One of them is Heimdall. » Here is the absolutely crucial sentence: « whom we call the White Aesir, and who is great and sacred. » He is grand and sacrosanct. He is great and sacred.

The Distinction between Pure, Sacred, and Holy

The distinction between what is pure, sacred, and holy is crucial, though these concepts are often confused in our understanding.
‘Pure’ refers to an original state, untouched and unused. It is the object in its essence, never having been used, which allows it to be employed in a ritual context, for its consecration.
‘Sacred’, on the other hand, refers to what is dedicated to the religious domain, establishing a link with the divine. This term derives from the Latin « religere », meaning to reconnect or to strongly bind with the sacred, a notion also present in the word yoga which means connection to the divine, bond with the divine. Similarly, Aesir also means bond; the Aesirs are our bonds. The Aesirs symbolize this link to the divine. Thus, the sacred denotes what has been specifically consecrated for religious use, marking a devotion to divine connection.
The ‘holy’, however, directly pertains to divinity, indicating what is untouchable and unchangeable, of such a sacred essence that it remains beyond reach of any defilement.
This belongs to the highest mysteries, characteristics of the divine itself, of that which cannot be named. Whatever you do, you cannot reach it. Saying horrible things or any words do not rise, do not elevate to it. You cannot harm its essence in any way. Even the worst acts or horrors that we commit, before they present themselves before the divine, are transformed into good. This is a fundamental notion for all that follows. Everyone can observe this principle in their own life, but we cannot dwell on it at the moment, as it would take us away from the current topic. Nevertheless, it is crucial to remember these three levels: the pure, the sacred, and the holy. On the level of the holy, it is impossible to reach or alter it.

The foundation of this notion lies in the fact that time transforms, even the worst misdeed committed by the most fallen individual from Muspelheim, into good during its ascent. In other words, the divine recycles this fault to use it properly. However, this does not mean that evil is necessary in itself. There is no necessary evil. It resembles the principle of manure that fertilizes the soil, thereby promoting the growth of wheat. This is how even the worst actions can be converted and used positively. This touches on the principle of holiness. We have already discussed these concepts, but these are notions to which we constantly return.

« He is one of them, Heimdall »
Heimdall, that means the splendor of the world.
He is numinous.
N-U-M-I-N-O-U-S.

Heimdall embodies the splendor of the world, the beatific vision. He is designated as the White Aesir, great and sacred. His union with humans is the origin of our white skin, the three colors of eyes and hair, and arouses both envy and antipathy from all humanity. It is essential to remember that the humans with whom Heimdall united were Skraelings, a crucial point of our topic. Skrael humanity aspires to overturn the Rigsthula. Without knowledge of the Rigsthula, this understanding escapes us. Thus, Skrael humanity seeks to triumph and celebrate on the remnants of the cis-hetero-white homeland. This expression is a periphrasis denoting Heimdall, who is the very definition of the cis-hetero-white patriarch. There are those in academia who perceive Wotan, our guide, as a paternal figure, a view I find reductive. Wotan is indeed a great master, but he is not primarily a paternal figure. Heimdall, on the other hand, is the father of our people, the first among us. As direct descendants, we share distinctive traits inherited from him. He is our absolute reference, marking each of us with his imprint.

This is illustrated by Loki through periphrases, describing the cis patriarchy, that is, defined by gender, heterosexual, and white. The further we descend, the more things become evident. Light in contrast reveals the clarity of things, as explained in the Voluspa. Approaching the final verse, the 66th, which deals with Nidhogg, the 65th verse, just before, reveals divinity in its entirety on Earth. So why did the divine not manifest earlier? Why, for centuries, has Loki sought to eliminate us, to erase all descendants of Heimdall out of hatred for him, but always under the guise of various ideologies like Christianity, Marxism-Leninism, the Roman Empire, the Catholic Church, and more? Why now does he openly declare his goal? By proclaiming the destruction of the cis, heterosexual, and white patriarchy, and inviting twerking on its ruins, Loki envisions a return to a solely Skrael state. He clearly announces that the culprit is Heimdall. This is an expected development, perfectly logical at the heart of the combat zone. The ultimate goal is precisely that. Everything else in the Edda, on a horizontal or earthly level, is peripheral. What truly matters is the fulfillment of the 65th verse of the Voluspa, that is, that the divine manifests in fullness on Earth.

Climbing Yggdrasil

Why does the divine not manifest directly? Why, like Heimdall, can’t we perceive things as they truly are, that is, in their infinity? Why, when looking at an apple, do we see just a fruit and not the rune it embodies, while the wise see more? The fundamental reason, as we’ve discussed regarding the Holy, the Sacred, and the Pure, is that the divine cannot reveal itself without intermediaries. Why do we need the Aesirs to connect us to the divine? Why does Yggdrasil present this gradation? Why can’t we face the divine directly? Because a direct manifestation of the divine would annihilate anyone by its power: the person would be consumed, unable to contain this divine essence due to lack of suitable vessels. Growing means climbing Yggdrasil, scaling what Ygg, one of the names of our master Wotan – the formidable, the terrible – himself climbed. Wotan teaches us that climbing Yggdrasil is a daunting enterprise, which involves creating vessels along our ascent. It concerns the meaning of our life, in both its horizontal dimensions – the events of the world – and vertical dimensions – our reason for being and existence. The goal is to form vessels capable of holding more of the divine, thus allowing divinity to manifest fully to us.

If the divine were revealed to us directly, our vessels would burst apart, condemning us instantly. The interest, coming back to what we were recently discussing about the lunar and solar principles, is not the solar principle, it’s the lunar principle, that is, to bring down the light into the world, to bring down the divine into the world. This process involves creating vessels, a task that is presented to us daily. Each day, we are offered the opportunity to create these vessels. This concept is at the heart of the Rigsthula. At a time when only the Scraelings populated the earth, the creation of man was contemplated to allow less elevated souls to incarnate, that is, to ascend. According to our sages, humans were created from vegetation, notably mandrake, and then diversified and spread across the Earth, becoming the archetypal human, the primitive Skrael. One day, Heimdall, coming from Asaland, from Asgard, the city of the Aesirs, traveled the world under the guise of Rig, the name under which he was known during his travels. That is why the account of these events is titled Rigsthula. Requesting hospitality in three distinct homes, he began by staying with extremely poor people in a humble home. During the night, he united with the mistress of the house, significantly named Edda.

Edda, Amma, and Móðir

Her name was Edda. From their union, and after his departure, a son named Thrall was born, the very first white man. Despite his black knees, he was the first of his color, with white skin. Subsequently, Rig continued his journey, again seeking hospitality. He stopped at a prosperous craftsman’s home, who could be described today as middle class. This craftsman was honest and prosperous. During the night, Rig united with his wife named Amma, and from this union was born Karl, who was red-haired, thus marking the second white man. Finally, Rig repeated his action in a wonderful castle belonging to the elite, where he united with the mistress of the house named Móðir. From this union was born Jarl, blond, thus becoming the third white man. These three first white men are our direct ancestors. The Aesir genes, transmitted by Heimdall, possess such strength that they dominated among the descendants of the three first white men, thus creating a distinct species in humanity. As previously mentioned, although out of politeness we speak of three original races, in reality, there are the whites and the non-whites, with skraeling being the primary distinction. This is what the Edda reveals, and not an invention on our part. This ties into our earlier discussion on how Heimdall perceives things, revealing the true nature of everything as divine. We have noticed that a direct confrontation with the divine, without protection, would lead to the destruction of our internal vessels. Filters are necessary, protective envelopes. A red force, symbolizing form, color, and other attributes, surrounds the divine when it contracts to create a phenomenon. This divine contraction, symbolized by a rune or a runic symbol, takes shape through a red packaging that reveals its intrinsic nature. For example, the rose, associated with the rune Wunjo, is chosen for its color, and the planet Venus, attributed to the same rune, illustrates the principle of the theory of signatures. This outer form, or envelope, allows us, from a human perspective, to demystify and understand the secret it contains: the divine contraction hidden at its core. Finally, this form is covered with a bark, or rather a black packaging — the physical aspect — to protect us from a direct and potentially destructive connection with the divine.

The Divine and the Veiled Manifestation

It’s about protection.
Deep down, beyond our historical and biological origins, which the Rigsthula explains to us, it teaches us that the divine manifests in a veiled manner, thus illustrating why Heimdall, a symbol of the beatific vision whose name evokes the truth of things, presents himself under a disguise, calling himself Rig. This incarnation of the divine in the world takes the form of a king, underscoring the intrinsic sacredness of royalty. When the divine essence, or things as they truly are, enters the human realm, it becomes Rig, which means king. Thus, the divine reveals itself in a very discreet way, choosing to touch individuals from the very bottom. That is to say, the whole meaning of our progression in this world is that the divine will come knocking at our door, as Rig, first in our most humble condition. This explains why Edda is described as being in a precarious situation.

The Spiritual Progression According to the Edda

Edda truly embodied the figure of poverty, a real social case. When we are spiritually and in terms of containers, at a basic level, concerned only with basic needs such as food, acquiring wealth, seeking egotistic attention and approval, or the desire for recognition and affirmation of our own importance. At this stage, our spiritual state is comparable to that of Edda, symbolically at the bottom of the ladder. What follows is our confrontation with a decisive choice, just as Edda was faced with a choice between continuing with her usual husband (her software, her usual formula, as the man installs the software in the woman) and her conventional lifestyle, or opening herself to divine influence. This duality presents itself in the smallest details of our existence. The position of man, as we have seen a thousand times, is at the crossroads.
Long before Heimdall, our ancestral lineages trace back to Bor and Bestla, placing our roots two generations before him.
You are faced with a crucial choice: to bind to the divine, to open up to the light, to embrace what makes the divine manifest in our world, thereby revealing the divine presence all around us… This is the essence of Bor. The name « Bor » literally means « son, » symbolizing the one who emanates directly from Buri, the original entity, the pure essence.
The Son is the red force of the Father, manifesting the latter in the world.
At every moment, a part of our DNA pushes us to reveal the Divine in our reality, in the manner of Bor.
However, the other half of our genetic heritage is pure Jotunn, pure Hrymthurse. Bestla, whose name means « bark, » symbolizes what conceals Heimdall and the rest. The bark is made to cover, so that the rune inside cannot be seen. Bestla embodies the temptation to limit oneself to consumption, to the quest for honor, reflecting a worldview reduced to horizontality and politics. She played a crucial role behind the scenes of power, acting in the temples of Ymir, in the era when Ymir reigned, and embodying a figure of high stature, completely immersed in the earthly and political aspects of existence. She also gained importance during the coup d’état when Wotan and his brothers took over.
She was a major instrument in that, but she is completely in the black force. She is a very great lady, but in the black force. She tells you no, what matters are located in the sphere of power, consumption, managing material affairs, and honor, values to which she attaches great importance. Bestla should not be seen as a simplistic or limited entity. On the contrary, she embodies a highly sophisticated intellectual, in pure politics.
Thus, at every moment of our lives, we are faced with this choice, reflecting the duality inscribed in our DNA. Even adopting diverse external appearances, adorning our outfits with dreadlocks, wearing boubous, or wearing badges of various organizations, listening to rap all day, our essence remains unchanged. We are the descendants of Heimdall, and this lineage invariably defines our identity and our relationship to the world, regardless of our individual expressions.

Realizing one’s Heimdall Heritage

Heimdall is our father, which means that nothing can alter this fundamental truth. No matter how far or disconnected you might feel from him, this connection is embedded in your DNA. It is impossible to detach from it. This is the very essence of fatherhood: our parents precede us, and regardless of our desires, we cannot change this reality.

Every day, at every moment, we find ourselves at a crossroads. The divine, disguised as Heimdall assuming the guise of Rig, knocks at our door. In the most mundane moments, whether waiting in line or in a dentist’s waiting room, a call emerges, a beam of light, an opportunity to choose between revealing the divine or continuing to pursue selfish desires. And at that moment, you are in your purest humanity, at the crossroads.

At this precise point, our decisions shape the vessels of our being. Opting for the path of Bestla is, in a way, participating in the degradation of the world. Each choice in favor of Bestla, despite the fact that she is not inherently malevolent – the Edda teaches us that the progeny of Ymir is fundamentally harmful, although we cannot speak such words towards the mother of our mother – still contributes to the destruction of the world. It is not a matter of malice or bad intentions on her part; it is simply that her lifestyle contributes to the erosion of the world.

Conversely, choosing the path of Bor is to work towards the repair of the world. The triple progression lived and embodied by Heimdall, which led him from Edda to Amma and then from Amma to Móðir, symbolizes this journey towards repair, illustrating the path towards a gradual and fundamental improvement of the world and oneself.

Fields left fallow represent a muno osanir pur, a resting land meant to foster a future abundant harvest. At the beginning, we are in a phase of pure consumption, facing an apparently barren land. However, a fallow field is not barren; it is merely resting, unexploited. This is the initial state of each of us: an unused potential.

The Choice of Constructing Vessels

From this emerges a faint glow, and by choosing to reveal the divine, by acting in the manner of Bor, you create a vessel. Each time during the day, across the 24 hours, when you are faced with a choice between the path of destruction, that is, consumption in the manner of the Thurses, and that of repair, that is, the manifestation of the divine in the manner of the Aesirs, and you choose the latter, you shape a vessel. Each successful decision qualifies you for a higher level. Gradually, you become capable of enduring more light, for each time, the vessel strengthens. Using a metaphor from our guide, it’s akin to better tolerating alcohol. Your sacrificial cup, your chalice, becomes more refined, and consequently, you better endure the mead. The principle is exactly this. Initially, when you are still at the basic consumer stage, the fallow fields promise a bountiful harvest. By continuing to create vessels, you reach the intermediate level, that of Amma.

We now come to a crucial stage, that of repairing speech, where all the red forces are repaired. This is the moment when all evil, which by definition pertains to binarity — good vs. evil, true vs. false, subject vs. object — is corrected. This duality is inherently linked to speech and intellect. Evil, indeed, exists only in the intellect and is exclusively produced by it, personified by Loki, whose creations include Fenrir, Jörmungandr, and Hel. Evil, or error, and even the ancient concept of « evil« , thus belong to the intellect, which means they are mistaken. This is what requires correction. After repairing all the evil, it is imperative that you are also repaired. Having reached the red level, you advance further, and this is where you join Móðir.

Your vessels are now robust enough to accommodate an intense light. At this stage, the transformation is such that Baldr, symbolizing purity and rebirth, returns among us, coming back from the beyond, from Helheim, symbolically from the social depths embodied by Edda. You embody Baldr, having repaired the world and prepared your vessels for the arrival of elevated souls. The heart of the mystery lies here: Heimdall travels the world to encourage the choice of Rig, the path of the Aesirs rather than that of the Hrymthurses. Each decision in favor of the light, and its spread among those close to you, transforms the individual into an energetic relay, a central principle in both shamanic and magical practices. The light, with its rapid contagion, manifests the divine in our reality. You will then notice a significant change around you, attracting individuals with whom to establish meaningful connections, whether to offer your help or to learn. Hence the importance for a master to remain open to everyone, without judgment, for these are people with whom there may be a mission to fulfill, even if at first glance their contribution seems modest.

During the day, you will be confronted, in the minutest details of your daily life, whether through a book or the people you meet, with the appearance of Rig knocking at your door, symbolically represented by your humble abode. It is crucial to welcome him as best you can. Even if Edda offered him junk food, the essential thing remains the welcome. Choosing to reveal the divine transforms you into a vessel, consolidating your ability to accommodate more light, and you become a relay point for divine light in the world. Thus, you embody the lunar principle of Mani, the one who brings light into the darkness. This transmission is contagious. The moon, beneficial for hunters and lovers, allows through you the capture of what nourishes and the perpetuation of life through love. This underscores how, as we approach our essence, everyone knows, the more we move towards our being, the more the Edda speaks to us of intimate things. The Edda, the solid foundation of our culture, reveals itself through its superficial layers, the entire collective experience of our people, and the mysteries of magic.

Heimdall is essential to understanding the inner path; he is the subtle and intimate forn siðr. Heimdall is at the heart of inner journeys, reminding us to view the world from our inner fortress, for enemies are not just physical. Heimdall excels in this regard by consolidating our vessels, never parting from his horn – the ultimate vessel for drawing from Mimir’s well.

The contrast between Heimdall and Loki highlights the distinction between the pursuit of external validation (Loki) and the deep exploration of the soul (Heimdall). While Loki seeks attention through superficial means.

The Ascent.

This is why the Edda is called the Edda. It is the solid foundation of the matter. The matter that needs to be opened. It is the bark. Spiritual progression follows this structure: from darkness enveloping red, which in turn coats white. Everyone starts off as a mere consumer, guided by materialistic ambitions in the manner of Bestla, focused on consumption and the importance of social status. But even among those who live in opulence, the question remains: are you a superficial materialist or a descendant of the Aesirs? The answer to this question makes all the difference.

You then move on to the level of Karl’s parents, that of Amma. At this stage, the situation evolves because your vessels are now established, rendering previous questions superfluous. You will notice this in your personal and intimate evolution: there comes a time when regression is no longer possible. After a series of wise choices, it is important to understand that these decisions, although demanding, are essential. Do not expect to feel immediate relief after making the right decision; on the contrary, these choices can be difficult and painful. Like someone who quits smoking, the temptation to relapse is great. The reality is that making the right choice requires courage and can be challenging. It demands all the strength and determination of Bor. Once you reach the red level, you attain the level of the craftsman: your work becomes more refined and subtle. You then shed the remnants of your previous marginalized condition to move towards a more refined approach, whether in delicate embroidery, art carpentry, or other forms of artistic expression. This is evident both in your practice of siðr and in your daily life.

After persisting in making wise decisions, you reach the domain of Móðir. At this stage, you find yourself in a high position, equivalent to residing in a castle, and the idea of returning to a precarious existence, symbolized by a dwelling made of planks, has become alien to you. This underlines the crucial importance of the vessels you have formed: once this level of development is reached, it is no longer conceivable to regress or to become someone less evolved. You have fully embodied your heritage of whiteness and Heimdallrhood. Now established in a castle, your next step is to become Jarl.

The Ascent to Konr

It is crucial to persist in making good decisions, as it is from Jarl that Konr will be born, symbolizing supreme excellence, the epitome. When we speak of Konr as the ultimate model, he embodies the concept of the ideal, similar to Heimdall who represents the first white, cisgender, heterosexual patriarch, etc. This model is not just an exemplary family leader but rather the founding prototype. Nevertheless, reaching the level of Konr is challenging; he is described as having strength tenfold that of ten men, a colossus in complete mastery of psychology, using his abilities solely for good. He used his impeccably repaired speech to calm, improve, and assist others, resolving their internal conflicts. Konr mastered the language of all things; knowing that everything is made up of runes, he understood the language of fire, birds, and other elements, all formed from runes. Every entity has its own language, so that weapons, like everything else, communicate. As an emissary of the highest instance, he represents an ideal that is difficult to attain in our times, setting the bar very high. However, the goal is to adjust this ideal for each individual, according to their own vessels.

Being inspired by someone does not necessarily mean resembling them. For example, when contemporary critics compare a band to the Beatles, they often imply a superficial similarity, such as a hairstyle like John Lennon’s or a melodic sound reminiscent of the Beatles, which reduces the comparison to trivial aspects. A talented musician mentioned that his main influence on guitar was Fernand Knopf, a painter. He transposed the mysteries and light of Knopf’s work into his guitar playing, demonstrating that inspiration can transcend mediums. This musician truly understood the concept of a role model.

At every moment, we face a divine choice in the form of a duality: to reveal divine light in the world or succumb to consumption, either contributing to the repair or destruction of the world. Making the right choice, that is, following the example of our ancestor Bor by choosing to reveal the divine, strengthens our vessels, allowing us to receive more light without harm, bringing happiness and progress on our path. By doing so, we become a conduit for divine light, naturally attracting others to us. This demonstrates that we are worthy of our Aesir heritage.

I leave you with these thoughts today. I wish you an excellent day, filled with good news, happy opportunities, and wise choices. See you tomorrow.